It’s a battle of the science fiction blockbusters this weekend, with Alien: Covenant and Guardians of the Galaxy Vol. 2 giving us a photo finish at the box office. The two movies couldn’t be more different in style, tone, and aesthetics, but they equally captured audiences’ attention and shined a light on what the future has in store for both franchises. Here’s the box office numbers as of Sunday afternoon:
On Thursday evening, plenty of executives went to bed with dreams of big opening weekend numbers in their head. Could the movie about a magical king unseat the movie about a talking tree? Or would a mother-daughter comedy with just the right release date unseat a pair of battling sisters? Now that we’ve reached the end of the holiday weekend, we finally have the numbers, and it turns out the answer was no and no, respectively. Here’s this past weekend’s grosses as of Sunday afternoon:
Turn off your proton packs and fire up your Fleetwood Mac, it’s time for the latest edition of the ScreenCrush Weekend Box Office Report! There were few surprises to be found at the top of the list this weekend, but with a few big films nearing the end of their theatrical run, it’s a good time to take stock and see how things shook out. Here’s the projected grosses as of Sunday afternoon:
I’m not sure why, but I’m really excited for Guy Ritchie’s King Arthur: Legend of the Sword. Maybe it’s because I’m a sucker for a supporting class that includes Eric Bana and Jude Law leveling up his Young Pope to a Young Evil Sorcerer. Maybe it’s because the last few trailers featured music by Led Zeppelin and I really enjoyed the synergy of folk-inspired rock with the film. Or maybe it’s just because there’s something endearing about Ritchie’s fight aesthetic, one that seems about ten years out of date (or whenever it was the last Matrix movie hit theaters).
Despite its prime location in the heart of New York City, the Tribeca Film Festival has always been regarded more as a regional film festival than a destination for big world premieres. That being said, Tribeca does have one thing that other festivals lack: unfettered access to Robert De Niro, the festival’s co-founder and cinematic advocate for all things New York. This has made Tribeca a prime destination for anniversary screenings of some of the actor’s biggest films; in 2015, for example, Tribeca hosted a 25th anniversary celebration of Goodfellas with the cast and crew in attendance. And this year, De Niro has topped himself, bringing together the men and women behind The Godfather for a frank discussion about the film.
In a week devoid of any major releases, we still saw some major changes at the box office, with familiar faces like Kong: Skull Island, Power Rangers, and Get Out (RIP) all falling from the Top 10 in favor of new releases or aggressively expanding art films. Of course, not everything was different; if you read these box office reports every weekend, I’ll bet you can name the top three movies (in order) with minimal effort. Here’s the weekend box office projections as of Sunday afternoon:
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
Welcome to the calm before the storm. With a handful of blockbuster movies already released, and more on the way, the second weekend in April was a relatively quiet affair, with a few old favorites dominating the weekend yet again and a few new releases grabbing whatever box office they could before things get fast and furious at your local multiplex. Let’s take a look at the projected grosses through Sunday afternoon.
While nobody would argue that Hollywood needs to make more movies about Hollywood, there does seem to be an opening for Hollywood to make more movies about the impact of movies in general. We spend hundreds (even thousands) of hours each year watching films, and yet, many of these movies don’t really explore the impact that movies themselves have on our lives and our culture. At the risk of getting a little too meta, a smart screenwriter might tackle the notion of how the movies affect the life of someone on the outside of the industry.
For franchise movie fans, nothing grates on the nerves quite like the lull between the day production wraps on a new movie and the day the first teaser drops. Production has been finished on Star Wars: The Last Jedi for a few months now, and since we’re not quite sure when Disney will be releasing the first trailer for the film, we’re latching onto any piece of information we can get about the new film or any new Star Wars content, period. In short, we’re in the business of reading too much into Mark Hamill’s Twitter account.
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