Charles Bramesco
Stephen King Has Seen – And Liked – the New ‘It’
Ever since the now-infamous photo of Pennywise the evil homicidal clown peeking out of a drainpipe surfaced online, fans of Stephen King’s seminal horror novel It have been concerned about Seth Graeme-Smith‘s upcoming film adaptation. There was fair cause for worry, too; it looked as if light was coming from several different sources, like a hasty photoshop job one might find on the box art for some direct-to-DVD cash grab. The only person who could really set the It devotees at ease would be Stephen King, who has seen dozens upon dozens of his works make the jump to the silver screen. And it would appear that he’s now done just that.
See New ‘Justice League’ Aquaman Footage Straight From Zack Snyder’s Editing Bay
Zack Snyder made a lot of enemies with Batman v Superman: Dawn of Justice, but critical dressing-down and scattered fan backlash won’t stop him. To quote esteemed post-structural thinker Missy ‘Misdemeanor’ Elliott: to those of you who hated, you only made Zack Snyder more creative. The director has redoubled his efforts as he continues work on the post-production process for the Justice League movie due November 17. They wrapped shooting back in October, so all that’s left is the time-consuming and often tedious process of digitally piecing the film together in the editing suite. But ever the barker for his corner of the D.C. universe, Snyder has offered his many supporters a glimpse into the in-progress cut that he’s toying with at present.
Watch Will Arnett Prank Call a Toy Store as LEGO Batman
Will Arnett’s gravelly voice has defined some of his most beloved roles: it made his bombastic doofus G.O.B. into Arrested Development’s MVP, it turned him into a worthy rival for Jack Donaghy on 30 Rock, and it perfectly suited him for the role of the Lego universe’s Caped Crusader. As the star of The Lego Batman Movie, he brings a certain actorly gravitas to every punch line, and the best part is that he can take that skill with him anywhere. Trying to quell a dispute between his kids? Batman lays down the law. And in a new segment from the BBC Radio 1 station, he puts his voice to good use once more, as a prank on an unsuspecting toy store.
HBO’s ‘Francis & the Godfather’ Movie to Go Behind Scenes of the Mafia Classic
Francis Ford Coppola was a pretty intense dude during the ’70s. He damn near lost his mind while shooting Apocalypse Now in the jungles of Southeast Asia, a quagmire duly chronicled in the documentary Hearts of Darkness. While shooting The Godfather Part II on location in Trieste, Coppola told Italian journalists, “To some extent, I have become Michael.” He’s a larger-than-life character, and it’s only fitting that he’ll now be dramatized himself.
‘Every Which Way But Loose,’ a.k.a. Clint Eastwood’s Orangutan Movie, Getting a Remake
By the late ’70s, Clint Eastwood had made a name for himself as the tough-guy star of cop-on-the-edge flicks and spaghetti Westerns, his permanent grimace a symbol of macho heroism. As the star of the Dirty Harry franchise, he fashioned himself as a protector with an edge, and in Sergio Leone’s epochal Dollars trilogy, he nearly ascended into the annals of cinematic legend. Having built up all this public goodwill, Eastwood decided the time was right to use that clout on the kind of project actors dream of their whole lives: a buddy comedy where he stars opposite an orangutan.
It’s Official: ‘Star Wars: Episode VIII’ Is Titled ‘The Last Jedi’
We’ve got 11 long months to go before anyone will get a look at Star Wars: Episode VIII, so Lucasfilm has tried to pace itself with leaking details of the hotly anticipated upcoming release. Today, however, they dropped a big one: on the official Star Wars web site, a new announcement revealed the subtitle for the eighth installment in what the site refers to as “the Skywalker saga.” The post declared, “We have the greatest fans in this or any other galaxy. In appreciation of the fans, we wanted them to be the first to know the title of the next chapter in the Skywalker saga: STAR WARS: THE LAST JEDI.”
Brutal New ‘Logan’ Trailer Brings the X-Men Into the Real World
The most jarring line in the new trailer for James Mangold’s increasingly buzzy Wolverine spinoff Logan comes when the gruff mutant informs his young charge, “This is the real world. People die.” He tells her this after seeing one of her vintage X-Men comic books, and informing her that the team’s actual exploits bear little resemblance to what’s on the page. It all sends a clear message: this is a film unlike the solo Wolverine pictures that came before it, distinctive both in its high stakes and self-awareness. It’s a sharply written moment, but the new clip doesn’t linger on it for too long before getting to the good stuff — in this instance, a young girl cutting off an adult man’s hands.
Michael Keaton’s Batsuit and George Reeves’ Superman Suit Going to Auction
Good news: fans are finally getting their shot to lay claim to two highly sought-after pieces of comic book memorabilia, with George Reeves’ original Superman costume and the Batsuit worn by Michael Keaton during his stint as the Batman both up at auction until January 26. The bad news: you’re going to have to part with at least tens of thousands of dollars if you want to get your mitts on that spandex.
Apple Plans to Break Into Hollywood with Original Movies and TV Shows
Chances are, you’re currently reading these words on a phone, computer, or tablet manufactured by Apple. Maybe on your morning commute, you listen to music downloaded from the ITunes Music Store. If you are an on-the-go sort of person who’s not afraid to be made fun of, you may have an Apple Watch wrapped around your wrist right now. The tech giant’s influence has permeated so many facets of modern life, and as we patiently await Apple’s big foray into the burgeoning field of teledildonics, they’ve announced plans to plant their flag on one more heated battlefield.
Terrence Malick’s New Film Gets Title, Plot Summary, Release Date
A brief personal anecdote: I had the good fortune of attending the Austin City Limits music festival in 2012, where I caught an outdoor set by Atlanta indie rock outfit the Black Lips. During the performance, I spotted an unfamiliar figure gripping a guitar onstage, a young woman who looked suspiciously similar to Rooney Mara. I’d find out the next day that she, Ryan Gosling, and Terrence Malick had come to town to slyly shoot some footage for an untitled project about the Austin local music scene. It was neat at the time, but over the past five years, I had forgotten all about it.